Title: NIGHTMARE IN BADHAM COUNTY (1976)
Description: Film Review
Description: Film Review
Marty McKee - October 17, 2004 11:16 PM (GMT)
NIGHTMARE IN BADHAM COUNTY (1976)--Directed by John Llewellyn Moxey. Stars Deborah Raffin, Lynne Moody, Chuck Connors, Robert Reed, Tina Louise. Only in the '70s could a movie this downbeat and sleazy air on network television. Not only does NIGHTMARE present a depressing and even frightening look at prison life (so much so that I have seen this film referred to as "horror"), but Vidmark Entertainment's home video version is one assembled for overseas theatrical release, which means extra scenes of depravity, profanity and full-frontal nudity have been added to what was already an intense viewing experience.
Two sweet college coeds--white Cathy (Raffin) and black Diane (Moody)--are arrested on trumped-up charges in a small Mississippi town, where Diane is raped by the bigoted local sheriff (Connors). Without benefit of an attorney, due process or even a phone call (the judge is the sheriff's cousin), the girls are tossed into the Badham County Farm, which is run by a pedophile rapist named Harry Dancer (Reed) and his main trusty, the cruel Greer (Louise). Racism and violence ran rampant behind the scenes, as the prisoners are segregated by color and given separate quarters, jobs and eating schedules. What were originally supposed to be 30-day sentences for Cathy and Diane eventually become more serious, as Dancer's high-placed political pals need more slave labor for their farms, and the girls realize that their only way out is escape or death.
Unlike, for instance, the women-in-prison pictures made by New World Pictures and directed by Jack Hill, NIGHTMARE is a joyless experience, preferring to heap physical and emotional distress upon its characters with little hope of rescue. Adding to the squirminess are the additional R-rated material, which range from a jarring insert of Lynne Moody's body double's bare breasts during the rape to lengthy scenes of inmates and guards (none of whom are played by the cast's major stars) stripping or being stripped, whipping or being whipped. These scenes may not have been directed by Moxey, as they are crudely blocked and quickly lensed, and would fit more cleanly into a Jesus Franco picture than during the dinner hour on ABC.
While not a "fun" film, NIGHTMARE is fascinating nonetheless, if only because of the recognizable television actors who surprisingly allow themselves to appear extremely unsympathetic, whether it's Connors ripping apart Moody's shirt or BRADY BUNCH dad Reed, who looks slimy in his white leisure suits and large, round white Afro, coercing a 15-year-old virgin into the sack. Raffin and Moody are very good at projecting the necessary desperation and vulnerability, although their behavior leading up to their arrest seems designed to making the audience feel as though they deserve what's coming to them, talking as they do about their various boyfriends and their independence. However, the deck is so stacked against them that you quickly get on their side. Perhaps it's too stacked--it's difficult to believe that everybody in town is content to go along with the conspiracy headed by Reed and Connors, which also reaches to the local mayor and even the governor's office.
Charles Bernstein (WHITE LIGHTNING) provides a masterful score, and it's hard to believe that a script this misogynistic was penned by a woman (Jo Heims, whose credits include PLAY MISTY FOR ME). Also with Della Reese, whose performance was nominated for an Emmy (!), Fionnula Flanagan, Lana Wood, Ralph Bellamy and Denise Dillaway (THE CHEERLEADERS). Shot in Mississippi, which provided some suitably rundown locations. WIPs were popular on television at the time, extending as far as a notorious episode of CHARLIE'S ANGELS ("Angels In Chains", which guest-starred Kim Basinger) and a remake of JACKSON COUNTY JAIL with the same director (Michael Miller) and star (Yvette Mimieux).
Two sweet college coeds--white Cathy (Raffin) and black Diane (Moody)--are arrested on trumped-up charges in a small Mississippi town, where Diane is raped by the bigoted local sheriff (Connors). Without benefit of an attorney, due process or even a phone call (the judge is the sheriff's cousin), the girls are tossed into the Badham County Farm, which is run by a pedophile rapist named Harry Dancer (Reed) and his main trusty, the cruel Greer (Louise). Racism and violence ran rampant behind the scenes, as the prisoners are segregated by color and given separate quarters, jobs and eating schedules. What were originally supposed to be 30-day sentences for Cathy and Diane eventually become more serious, as Dancer's high-placed political pals need more slave labor for their farms, and the girls realize that their only way out is escape or death.
Unlike, for instance, the women-in-prison pictures made by New World Pictures and directed by Jack Hill, NIGHTMARE is a joyless experience, preferring to heap physical and emotional distress upon its characters with little hope of rescue. Adding to the squirminess are the additional R-rated material, which range from a jarring insert of Lynne Moody's body double's bare breasts during the rape to lengthy scenes of inmates and guards (none of whom are played by the cast's major stars) stripping or being stripped, whipping or being whipped. These scenes may not have been directed by Moxey, as they are crudely blocked and quickly lensed, and would fit more cleanly into a Jesus Franco picture than during the dinner hour on ABC.
While not a "fun" film, NIGHTMARE is fascinating nonetheless, if only because of the recognizable television actors who surprisingly allow themselves to appear extremely unsympathetic, whether it's Connors ripping apart Moody's shirt or BRADY BUNCH dad Reed, who looks slimy in his white leisure suits and large, round white Afro, coercing a 15-year-old virgin into the sack. Raffin and Moody are very good at projecting the necessary desperation and vulnerability, although their behavior leading up to their arrest seems designed to making the audience feel as though they deserve what's coming to them, talking as they do about their various boyfriends and their independence. However, the deck is so stacked against them that you quickly get on their side. Perhaps it's too stacked--it's difficult to believe that everybody in town is content to go along with the conspiracy headed by Reed and Connors, which also reaches to the local mayor and even the governor's office.
Charles Bernstein (WHITE LIGHTNING) provides a masterful score, and it's hard to believe that a script this misogynistic was penned by a woman (Jo Heims, whose credits include PLAY MISTY FOR ME). Also with Della Reese, whose performance was nominated for an Emmy (!), Fionnula Flanagan, Lana Wood, Ralph Bellamy and Denise Dillaway (THE CHEERLEADERS). Shot in Mississippi, which provided some suitably rundown locations. WIPs were popular on television at the time, extending as far as a notorious episode of CHARLIE'S ANGELS ("Angels In Chains", which guest-starred Kim Basinger) and a remake of JACKSON COUNTY JAIL with the same director (Michael Miller) and star (Yvette Mimieux).