Title: MIA Steele and Euro VHS ripping
Description: A labour of love.
Victor Boston - November 29, 2006 10:16 AM (GMT)
Continuing with my attempts to rip my otherwise unavailable VHS tapes to DVD, it occured to me that the Barbara Steele Italian outings remain unrepresented on the media. I know CASTLE OF BLOOD has a fine Synapse release, but what of LONG HAIR OF DEATH and NIGHT OF THE DOOMED/NIGHTMARE CASTLE? The UK Redemption NOTD tape is great but this longer cut of NC would benefit hugely from the increased resolution and clarity of DVD. As for LHOD, I appear to have mislaid my tape from UK TV but I long to see it again. If only someone could put a boxed set together with the kind of care and attention PANIK HOUSE applied to their PINKY VIOLENCE COLLECTION.
Although I can rip my UK PAL release of TERROR OF DOCTOR HICHCOCK, my DVD recorder can't handle colour NTSC so I can't record my Sinister Cinema version of THE GHOST. I don't suppose there's any chance of a nice double bill in the pipeline?
Victor.
PS. Other Euro rips I did at the weekend that would gladly be replaced with proper AR releases include LEGEND OF BLOOD CASTLE (Jorge Grau), and SO SWEET SO DEAD. Still got piles of obscure Italian westerns and crime thrillers - that were dumped on the UK market in the VHS explosion - to get through. It's hard work though, because creases in the tape (usually at the end credits where impatient renters ejected the tapes) cause the recorder to stop recording with the loss of signal. Sometimes, the tape has to be played through several times. Anyone else having the same trouble or is it just my recorder?
Steve Guariento - November 29, 2006 11:24 AM (GMT)
You probably already know this, so apologies for redundant info, but THE GHOST has already seen a DVD release in region 1 from Image, co-billed with the krimi DEAD EYES OF LONDON. Possibly a "grey market" deal, so quality likely won't be up to Synapse standards but if it's just an upgrade of a VHS tape you're after in the short term it might be worth the investment...I forget now, but someone here may have indicated that the pre-credits sequence had been relocated to its proper place in the film on this disc...

I'm pretty sure I saw a recent preview for a LONG HAIR OF DEATH DVD (perhaps at DeVilDead.com?), but it may have been a French release from Neo Publishing (and therefore unlikely to carry an English dub, just Italian with French subs or a French dub track). Still, if you like the film enough...
Victor Boston - November 29, 2006 02:15 PM (GMT)
Thanks for that Steve,
If I did notice the release before, it didn't stick in my mind because I probably wrote it off as a marginal upgrade from the Sinister tapes I have of both titles. If it's to be had pretty cheaply, I might just pick it up as the tape's prologue misplacement is an annoyance.
Victor.
dave fredriksen - November 29, 2006 05:02 PM (GMT)
There's a really weak representation of Steele on NTSC DVD...
there's no
The Horrible Doctor Hitchcock
The Long Hair of Death
An Angel for Satan
of the one's we do have only Black Sunday & Castle of Blood could be called quality releases...
The others have come from Retromedia and Alpha with pretty poor quality: The Ghost, Nightmare Castle, The She-Beast, etc...
I wish someone; BU, Anchor Bay, SS or NoShame would come up with a quality box set for Ms. Steele's gothics...
Keith Allison - November 29, 2006 06:04 PM (GMT)
Long Hair of Death is listed as being part of the "Tales of Terror 50 Movie Pack Collection" -- though at this point, we can probably guess what the quality of the print will be.
Mark Zimmer - December 5, 2006 10:46 PM (GMT)
Though THE GHOST is distributed by Image, it's actually a Retromedia release (which seldom means good things). Here is my Image Review from digitallyobsessed.com of the Retromedia double feature DVD with DEAD EYES OF LONDON:
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The widescreen picture is presented in nonanamorphic format on both features. Though as European they probably were intended for 1.66:1 projection, they almost assuredly were shot safe for American aspect ratios such as featured here, and any cropping is hardly significant. Both films are quite soft and lacking in fine detail, though The Ghost has a surprising amount of texture information for a nonanamorphic transfer. Color is good on that film as well. Dead Eyes of London is in a bit rougher condition, and the black levels are weak and on occasion the whites are blown out. It's not first-rate, but a definite step up from Retromedia's frequent use of wretched TV prints.
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